In Wear My Skin, Malizon seeks to bring into view and normalise skin imperfections. Photographs documenting her skin in its most delicate state are digitally printed onto soft, floaty silk garments, inverting the association of eczema with rough dryness and contesting cultural expectations that sufferers cover up what is often understood as an unsightly and embarrassing condition.

Installation for Graduating Exhibition 2019 at the ANU School of Art and Design

The beginning of Wear My Skin.
Two wooden manikin hands holding photograph printed on silk charmeuse
200 x 100 cm (without hands), approx. 196 x 96 x 19 cm (with hands)

The beginning of Wear My Skin.
Two wooden manikin hands holding photograph printed on silk charmeuse
200 x 100 cm (without hands), approx. 196 x 96 x 19 cm (with hands)

Front of Wear My Skin (Flared I) (2019)
Silk charmeuse
62.3 x 57.4 cm

Back of Wear My Skin (Flared I) (2019)
Silk charmeuse
62.3 x 57.4 cm

Detail of Wear My Skin (Flared I) (2019)
Silk charmeuse
62.3 x 57.4 cm

Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Installation for Graduating Exhibition 2019 at the ANU School of Art and Design





Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared I) (2019)
Silk charmeuse
62.3 x 57.4 cm
Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared II) (2019)
Silk charmeuse
68.2 x 59.5 cm
Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared III) (2019)
Silk charmeuse
70.4 x 59.4 cm
Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared IV) (2019)
Silk charmeuse
72.0 x 63.5 cm
Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared I) (2019)
Silk charmeuse
73.5 x 62.0 cm
Installation for Graduating Exhibition 2019 at the ANU School of Art & Design

Wear My Skin (Flared II) exhibited at VIEW2020 (2020)